Nathalie Miebach‘s work focuses on the intersection of art and science and the visual articulation of scientific observations. Using the methodologies and processes of both disciplines, she translates scientific data related to astronomy, ecology and meteorology woven sculptures.
Her method of translation is principally that of weaving – in particular basket weaving – as it provides her with a simple yet highly effective grid through which to interpret data in three-dimensional space.
By staying true to the numbers, these woven pieces tread an uneasy divide between functioning both as sculptures in space as well as instruments that could be used in the actual environment from which the data originates.
Central to this work is her desire to explore the role visual aesthetics play in the translation and understanding of science information. By utilizing artistic processes and everyday materials, Miebach is questioning and expanding boundaries through which science data has been traditionally visually translated (ex: graphs, diagrams), while at the same time provoking expectations of what kind of visual vocabulary is considered to be in the domain of ‘science’ or ‘art’.
Images courtesy of Nathalie Miebach
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